得云茶樓毗鄰大慈寺，此寺得唐玄宗賜名又幾經(jīng)興廢而盤桓至今，為清末復(fù)建，而不復(fù)當年大唐之風格。但遙想當年也必是“廊腰縵回，檐牙高啄”之大氣磅礴。古為今用，西風東漸。茶樓室內(nèi)裝飾之中西合璧，一片和合之妙。今天鄭州裝修公司宏鈺堂裝飾小編為您帶來的正是中情西韻得云茶樓裝修設(shè)計案例！

Deyun teahouse is adjacent to Daci Temple, which was named by Emperor Xuanzong of Tang Dynasty. It has been rebuilt in the late Qing Dynasty, but not in the style of the Tang Dynasty. However, it must have been the majestic style of "corridor waist man back, eaves teeth high peck". The past serves the present, and the west is spreading eastward. The interior decoration of the teahouse is a combination of Chinese and Western culture, which is a wonderful combination of harmony. Today, Zhengzhou decoration company hongyutang decoration small edition brings you the decoration design case of Zhongqing xiyundeyun tea house!

餐廳內(nèi)以中軸對稱布局，穿斗成梁，取自于川西大宅樓牌上的山花造型，整體線條優(yōu)美但極具力量感，曲線順勢而下形成卡座私密之所。 

The dining room is arranged symmetrically along the central axis. It is made from the mountain flowers on the building board of the West Sichuan mansion. The whole line is beautiful, but it has a strong sense of strength. The curve goes down with the trend and forms a private place for the card seat.

門外跑馬廊處6根青花瓷柱由中國藝術(shù)家于景德鎮(zhèn)燒制，拉胚、繪制、上釉到最后燒制成型歷時大半年，通體高3米直徑60公分，成品率極低，其上繪有青龍盤云而出，若影若現(xiàn)。

The six blue and white porcelain pillars at the Paoma corridor outside the gate were fired by Chinese artists in Jingdezhen. They took more than half a year to form. The overall height was 3 meters and the diameter was 60 centimeters. The finished product rate was extremely low. The blue and white porcelain columns were painted with green dragon plates and clouds, which were like shadows. 

茶樓窗格裝飾靈感源自故宮倦勤齋，震撼于其竹編“翻簧“工藝，設(shè)計師結(jié)合現(xiàn)代激光雕刻玻璃與單層鏡面膜，重構(gòu)倦勤齋竹編雙層月洞門之效果。地面則以天然青金石調(diào)色的水磨石內(nèi)嵌黃銅祥云圖案，向高超琺瑯工藝致敬。

The inspiration for the window pane decoration of the teahouse is from the tired Qin Zhai of the Imperial Palace, which shocked its bamboo weaving "reed spring" craft, and the designer combined modern laser carving glass and single layer mirror mask, reconstructing the effect of the double floor moon gate of the tired Qin Zhai bamboo plait. The ground is decorated with natural Lapis tone terrazzo inlaid with bronze auspicious cloud pattern, which pays homage to the superb enamel technology.