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黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳裝修設(shè)計(jì)方案

2020-06-16 宏鈺堂裝飾

本案石材展廳設(shè)計(jì)項(xiàng)目針對的客戶,是“具有一定審美、對石材產(chǎn)品較為了解”,希望在產(chǎn)品中找到突破和創(chuàng)新的設(shè)計(jì)師群體??臻g設(shè)計(jì)者試圖站在品牌商業(yè)化生長和運(yùn)營的角度,協(xié)同客戶進(jìn)行空間選址、品牌定位,希望在空間中用設(shè)計(jì)的方式掰開、揉碎、重組,構(gòu)造擁有品牌視野、藝術(shù)氛圍的空間體驗(yàn)。傳統(tǒng)石材的制作工藝,是用敲打形成「碎片」。以此為靈感,激發(fā)了本案構(gòu)想的錨點(diǎn)——「隕石碎片」,用碎片進(jìn)行空間組合,讓設(shè)計(jì)與多元的藝術(shù)形態(tài)相協(xié),傳遞充滿張力和藝術(shù)創(chuàng)意的空間精神。

The stone exhibition hall design project in this case is aimed at the customers who "have a certain aesthetic and know more about stone products", hoping to find a breakthrough and innovative designer group in the products. Space designers try to cooperate with customers in spatial location and brand positioning from the perspective of brand commercial growth and operation, hoping to break up, crush and reorganize in the space in the way of design, and construct a spatial experience with brand vision and artistic atmosphere. The traditional stone making process is to form "fragments" by beating. Inspired by this idea, the anchor point of the project - "meteorite debris" is inspired. The space combination of debris is used to coordinate the design with multiple art forms and convey the space spirit full of tension and artistic creativity.

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳裝修設(shè)計(jì)方案

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳洽談區(qū)裝修設(shè)計(jì)方案

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳展示區(qū)裝修設(shè)計(jì)方案

此外,展廳裝修設(shè)計(jì)公司試圖在空間投擲更多有形的「碎片」。產(chǎn)品看似缺席了,卻又無處不在。大量被切割如同畫卷的石材的有序陳列是其主要表征,它們也被滲透至墻面、桌椅和收納,藝術(shù)生長開來。空間的大體色調(diào)最終確定為黑白。在呈現(xiàn)的姿態(tài)上,并不作富有視覺沖擊力的切割,不刺激眼球,作為背景畫布存在,旨在凸顯空間體驗(yàn)和產(chǎn)品。 

In addition, the exhibition hall decoration design company tried to throw more tangible "debris" into the space. Products seem to be absent, but they are everywhere. The orderly display of a large number of stone materials that are cut like a picture is its main representation. They are also infiltrated into the walls, tables and chairs, and storage, and art grows. The general tone of the space is finally determined to be black and white. As a background canvas, it aims to highlight space experience and products.

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳裝修設(shè)計(jì)案例

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳裝修設(shè)計(jì)實(shí)景圖

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳展示區(qū)裝修設(shè)計(jì)方案

以「石材」為原點(diǎn),讓空間激活、碰撞石材和設(shè)計(jì)之美的觀點(diǎn),生長出牽引業(yè)主和設(shè)計(jì)師之間、設(shè)計(jì)師與設(shè)計(jì)師之間的橋梁,放大產(chǎn)品在空間中的價值,共赴藝術(shù)生長進(jìn)化之旅。

Taking "stone" as the origin, let the space activate and collide with the beauty of stone and design, grow a bridge between the owner and designer, between the designer and designer, enlarge the value of products in the space, and go on the journey of art growth and evolution.

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳辦公區(qū)裝修設(shè)計(jì)方案

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳辦公區(qū)裝修設(shè)計(jì)方案

黑白灰構(gòu)造極簡藝術(shù)風(fēng)駿美石材展廳選樣區(qū)裝修設(shè)計(jì)方案